Saturday 26 April 2014

ANZAC Day 2014, Dublin


The above was officially released in NZ a year or two before I left - lovely to see that it's made its way to ANZAC ceremonies worldwide.

Apart from that, we has the Australian and NZ national anthems, and some works be a choir from Queensland on their way to the Cork Choral Festival:

  • Lest we Forget - Ron Dawson and Kevin Morgan
  • The Soul of Australia - Words J Abbott and music Tim Sherlock
  • Tallis Canon

Monday 21 April 2014

The Easter Triduum + Easter Sunday 2014

Three days and a Sunday, one post - let's see how much I can remember!


Holy Thursday

What we sang 

  • Entrance:   I am the Bread of Life - Toolan
  • Psalm: - spoken
  • Gloria Peruvia
  • Foot washing - I Heard the Voice of Jesus Calling - John Bell - played on CD
  • Offertory:   Take our Bread
  • Communion: Ubi Caritas
  • Sending:  Silence

What I'd like to have sung:

I miss Gregory Norbet's "The  Lord Jesus", because the text is such a great fit.    It was used the first year I was here, but that was more the music co-ordinator and one very talented pianist who was able to play and sing it at sight even though she didn't know it.    Haven't met anyone else since who knows it.

That said, John Bell's "We Walk His Way" was an amazing find while I was travelling, and I knew that "I Heard ... " would work for Thursday as well as the rest of the year as soon as I heard it.   We had a young pianist tonight who's not yet a song-leader, so had to settle for the CD tonight.  It sounded fantastic - really proved just how much the church's sound system is designed for playing CD's and lot for live music.

And I miss a proper Gloria.   Not 'cos I'm a liturgist.   Just 'cos the Peruvian is a great son, but is missing to much of the theology from the full text.   


Good Friday

What we sang 

  • Entrance:   silence
  • Psalm: - spoken
  • Gospel acclamation:  Praise to You Lord Jesus Christ - unknown.
  • Response to the intercessions:   O Lord hear us we pray, O Lord give us your Love.
  • Veneration of the Cross:   Were you There - Afro-American spiritual
  • Communion: violin instrumental first, followed by The Old Rugged Cross
  • Sending:  Silence

What I'd like to have sung:

The Reproaches - ideally Frank Andersen's verison, accompanied by a guitar and violin.   But really, any version would do.


Easter Saturday

What we sang 

  • Exultet: - was read, not sung   
  • Psalm 1 - Send forth Your Spirit O Lord - well known locally, I haven't been able to track down who this arrangement is by
  • Psalm 2 - I Will Bless the Lord - Frank Hernandez
  • Psalm 3 - You will draw water in Joy - another locally known version
  • Gloria - Peruvian - complete with electronic bells (sounded lovely)
  • Gospel Acclamation:    Alleluia No 1 - Fishel
  • Offertory:   Come to the Water - Andersen
  • Communion:   A solo - I didn't catch the name of the song
  • Sending:     Sing a New Song

What I'd like to have sung:

Frank Andersen's Exultet.   Or any other Exultet with a refrain part.   (I found a simple one from the UK in 2011, but haven't yet had the right people to introduce it with).

Any or all of Christ be our Light,  Jesus Christ is Risen Today and even some Hallelujah Chorus would have been lovely.   But we did a simple, joyful service well, with plenty of Alleluia in there.


Easter Sunday

What we sang 

  • Entrance:   Seek Ye First
  • Gloria - The Latin Gloria, Missa de Angelis version
  • Psalm: - Alleluia No 1 - Fishel.    Aiming for three verses, but it got cut short.
  • Gospel Acclamation:  Pilgrim Alleluia - Lawton - made a welcome return, very well sung by the children present
  • Offertory:   instrumental
  • During Communion: instrumental "What Wonderous Love" - played 7 times due to the crowd
  • After Communion  "You Raise me Up" - Secret Garden
  • Sending:  Because he Lives - the Gaithers

What I'd like to have sung:

Jesus Christ is Risen Today, with full pomp and ceremony - this is the only day in the whole year when I like a thundering organ.

The Easter Song - unknown.   Folky but with long memories.

Lord of the Dance.    

Or The Lord is Alive by Jean-Paul Lécot.   This is a new old-favourite, I learned it here in a parish I visited with when still thought I was just her for six months.

The Gloria was an experiment.  Our lead-musician today is a lovely woman who doesn't cope well with minor keys.    She's tried bluffing her was through the Peruvian, but it really doesn't work.   We've tried an arrangement to Ode to Joy,  but doing it with the official text has too many words for comfort, and an unofficial version that we have is even further from the real text than the Peruvian.    But she remembers the old Latin version, and was confident that she pull it off.    The older people joined in - and so did the African community, so that counts as a win and has been added to the "hymns the parish knows" list.

Because He Lives was new to me.   I was sceptical at first - but the lead musician suggested it, and I figured that if she knows it, then lots of other people would too, and I was right.    Big hit among all ages and the Africans.    Probably I was the only one there who thinks it's just a bit too country-and-western.   But I'll get over it, again, it needs to go on the regular list. 

Wednesday 16 April 2014

We are the Easter People, year-round

A nice quote from Rory Cooney, good guidance for liturgical planning no matter what the scale of your musical programme:
I try to keep a paschal repertoire active all through the year, so that much of our music can be used on any Sunday and also works well for the Easter season.

So - if someone suggests a new Mass setting or the like, then one of the judgement calls is "could we use this at some time during the Easter Triduum or season(assuming we've learnt it during the year?" If the answer is "no, it's too banal / complicated / dreary / whatever" - then it's probably not fit for a regular Sunday either.


Sunday 13 April 2014

Palm Sunday, Year A

What we sang 

  • Entrance:   All ye who Seek a Comfort Sure - African arrangement
  • Psalm: - we didn't
  • Offertory:   Hosanna - Carl Tuttle
  • Communion:  Soul of my Saviour
  • Sending:   All ye who Seek a Comfort Sure  -   again!

What I'd like to have sung

No one in Ireland seems to have heard of the W Jabusch "The King of Glory" which is in my mind as the classic for Palm Sunday.   The classic here is "All Glory Laud and Honour" - but I'm not keen on it myself.

Our African community picked music this week, so the choices are from their repertoire combined with what they think of as the core Irish hymns.   The repetition of the opening hymn at the end, instead of the planned African one was a last minute thing - I didn't quite understand the reason, sometimes you just have to go with things!


Sunday 6 April 2014

5th Sunday of Lent, Year A

What we sang 

  • Entrance:   Christ be Beside Me
  • Psalm:      We didn't
  • Offertory:  Be Still and Know
  • Communion:   instrumental only
  • Sending:     Here I am Lord

What I'd like to have sung

No real favourites this week.    Our line up wasn't at all challenging:   expected a school choir for three hymns, but they had to cancel at short notice, and our main musician for the day is busy learning material for Holy Week, so we didn't want to push her with anything new.   So old-standbys, which could be sung with minimal instrumental support.

Wednesday 2 April 2014

Why our music should (generally) be simple enough for everyone to sing

An issue I have with some of the more traditionally-minded church music bloggers is their underlying assumption that the only music which is "good enough" for church is music which is beautiful, and expertly performed - meaning by a well trained choir, not an untrained assembly.

The great shift in music in the Catholic church after Vatican II was, as much as anything, a rejection of this idea, and a return to more scriptural approaches to the place music in public worship.

But what drives this fundamental sense that singing during liturgy is the right thing for everyone to be doing.   Paul's claimed quote that "when you sing, you pray twice" is hackneyed - and insulting to those who do not sing.    But still, there is a truth there - where does it come from?

My answer is that firstly, we know that Jesus was a Jew:   he sang during temple worship, and he sang at the Last Supper, when Eucharist as we know it was instituted.    ref:   http://www.thesacredpage.com/2009/04/what-did-jesus-sing-at-last-supper.html

Second, there's a lot of scriptural support:  Singing is a fundamental worship behaviour, and is about about heart:  in Ephesians 5, Paul tells the believers to be
"addressing one another in psalms and hymns and spiritual songs, singing and making melody to the Lord with your heart,"
Thirdly, tradition.   If you can get past the motherhood-and-apple-pie statements about the glorious days of church music prior to VII, you'll find out that even then, most masses were "low" - ie had no singing, or only a few hymns.   Certainly cathedrals and major churches had programmes that delivered expertly-executed chant - but they were the exception.   Your average parish organist in SmallTownville didn't stand a chance of delivering this sort of programme, then as now.


So that's the first stages of an analysis:  Jesus behaviour, scripture and tradition.

But what about lived experience today?

This is a lot more subjective, of course, but still gives us some clues about the importance of active participation.

Singing helps us to remember.    Very few people can remember the exact words of the gospel reading they heard last Sunday and at least once every three years since they've been going to Mass, or to a church with lectionary based services.   But most have no difficultly remembering at least some words of the hymns they sang.  That's why God, in Deuteronomy, told Moses to
"write this song and teach it to the people of Israel - put it in their mouths" 
not the mouths of the choir or music team!   Most human beings find that what is in their mouth stays in their mind - so what better way to to get Christian teaching in people's mind than by asking them to sing about it.


Music expresses emotion - and reaching people at heart-level is an essential part of public worship.

Singing together unites us




GET MORE FROM    http://www.worshipmatters.com/2014/02/10/i-worship-god-by-singing-you-should-too/